The images of the film footage and the processed Red One footage are almost identical. After I input the camera info, the quality of the various film stock presets was impressive, delivering very pleasing results. The rest of the file appears with a placeholder graphic. FilmConvert works on any digital camera footage. We continue to work directly with camera companies to bring you the latest profiles. Rubber Monkey carefully studied how individual cameras record an image and, through this scientific approach, has been able to very accurately transform the look of your footage. FilmConvert models the following film stocks: Motion Color Negative Kodak Vision 3 250D 5207, Kodak Vision 3 200T 5213, Fuji Vivid 8543, Fuji Eterna 8553, Fuji Reala 8563 Stills Color Transparency Fuji Astia, Fuji Provia, Fuji Velvia Stills Black and White Fuji Neopan, Ilford Delta 400, Ilford Delta 3200, Kodak T-Maxx 100, Kodak Tri-X 400 Stills Color Negative Fujicolor Pro 400H, Fujicolor Pro 160s, Fujifilm Superia Xtra 400, Kodak Portra 400 Stills Color Positive Polaroid 600 Whats New in version 2.
Rubber Monkey carefully studied how individual cameras record an image and, through this scientific approach, has been able to very accurately transform the look of your footage. The standalone version includes its own render management tools. The first is to simply import one or more clips into FilmConvert Pro, apply the look you want for each clip and set them up to render as complete, individual clips. Native Canon camera files are also separately profiled. A new film stock emulation application is from New Zealand-based developer. This process can take up to 48 hours to complete.
These break down to exposure and color temperature sliders, the film stock selector and a percentage slider for how much of the emulation colorimetry to apply. I was most impressed with how FilmConvert processes color, producing a very organic look. Percentage sliders let you decide how much of the emulation and grain to apply. There is a camera section, where you choose the camera your footage was shot on and the color space used, exposure and color temperature sliders, a film settings section with a convert to stock selector and a size selector that determines grain size. Press the Uninstall Programs tool 5. To create the film stock emulations, the developers analyzed scans from a variety of color and black-and-white motion and still photo stocks made by Kodak, Fuji, Ilford and Polaroid. And manual finding and removing all of these leftovers is a daunting task for many common computer users, for that they have to check a great number of folders and registry database to remove the associated files completely, and any small mistake could cause further and more serious problems on the system! In other words, how your images look after your adjustments is more critical than whatever name is on a given preset.
And in particular, let along those installed folder, files, and cache files. FilmConvert Pro and the FilmConvert filters work slightly differently from each other. FilmConvert Pro and the FilmConvert filters work slightly differently from each other. Whether a plug-in or the standalone version is right for you depends on your need. We do allow upgrades to either FilmConvert Pro and also to the FilmConvert Pro Bundle. The image preview is nearly instantaneous and accurate to the rendered output.
The film emulation module itself includes the same controls for all versions. Camera profiles We work with a wide range of popular cameras to deliver the most precise picture profiles available. Along with the color-correction tools, this provides a fast way to match shots, or add just the grain of a film stock and not the color shift if desired. Also, and this is a personal preference, each time you launch the plug-in, it returns it to its previous state. While this is great for projects, if you don't use the software for a period of time you may forget that clicking the reset button is a requirement with each use. The examples on the FilmConvert website are very impressive.
A new film stock emulation application is , from New Zealand-based developer,. Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. Here are some detailed instructions about how to do this: 1. With the proliferation of digital video cameras, everyone has been trying to make their video footage look more like film. Rubber Monkey promotes its render prowess and speeds were good on my 8-core 2. We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®. Bottom Line: This is high-quality film emulation software customized for specific digital cameras.
They have shot several example scenes and charts with a Red One and an Arri 435 loaded with various film stocks. Film still had a technological advantage over digital until really the last few years or so, and now we have digital sensors which can match or exceed film stocks with dynamic range. The film stock looks are spot-on and if you want something vintage, then the Polaroid emulation is really nice. The plugin seems very responsive and renders fast. We allow License keys to be moved to other machines. You can compare the images of the digital footage without any processing, the digital image processed using FilmConvert software, and the film footage. You can to a new computer provided old licenses have been deactivated first.
Product: Score: Pros: Film emulation software with accurate reproduction of specific black-and-white and color stock curves. By comparison, 1080p QuickTime files rendered at near-real-time speeds — some faster, some slower. You can individually adjust the degree of color and grain applied to your clip using the percentage sliders. Render Management The FilmConvert After Effects plug-in is also available in Premiere Pro. It accurately models the response of many digital cameras and film stocks, and provides a different transformation for each camera-and-stock combination. The general size of the program is 61. It accurately models the response of many digital cameras and film stocks, and provides a different transformation for each camera-and-stock combination.
The user controls are straightforward. The images of the film footage and the processed Red One footage are almost identical. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result. FilmConvert works on any digital camera footage. Your Windows computer will remain clean, speedy and ready to serve you properly. Installing FilmConvert was straightforward and easy. Controls for balance, level, and saturation can be eyeballed on a well-calibrated display.