The movie wasn't made poorly, acting was okay. Hands of Stone follows the life of Roberto Durán Edgar Ramírez , the Panamanian fighter who, with the help of his trainer Ray Arcel Robert De Niro made his professional debut in 1968 as a 16 year old and retired in 2002 at the age of 50. Protests in Panama are likewise rambunctious and filling, making use of a wide and surrounding stage to pull the listener into the mayhem. Detail satisfies, with skin textures appearing nicely intimate and clothing textures sharp and naturally complex. As he rises in the ranks, he meets, falls for, and weds Felicidad Ana de Armas and begins a rivalry with fellow fighter Sugar Ray Leonard Usher that will both make and break his career. Source noise can spike with occasional bursts of thickness that reaches a level of annoyance, particularly in lower light scenes.
Now she is flying back to New York with his coffin and their six-year-old daughter Julia. Pretty good for boxing fans, but virtually skips the 1970's when he was probably the most known boxer outside the heavyweight division. The film is at its best when it's hitting the finer point character details and raw emotions, but it struggles with its broader narrative components that feel more obligatorily inserted rather than intimately detailed and explored. I am sure this movie probably a true reflection of who Roberto Duran is but, who he is not someone I would really care for. Intimately insightful, well made, and nicely acted, the film has all of the necessary ingredients in place to succeed. Usher is exceptionally good as Sugar Ray Leonard, finding a voice and personality for the character that steals the show while helping to define his opponent and the movie's subject. Hands of Stone contains a featurette, deleted scenes, and two lyric videos.
But as Kyle fights to discern the truth, she takes matters into her own hands. The movie is technically well made, particularly in the ring where fights feel violent and intimately so. The digital shoot does allow for a fairly rich color palette, occasionally feeling a little dull and diluted -- all the yellow in the Madison Square Garden locker room near the beginning a good example -- but finding a more vibrantly sustained feel elsewhere, whether out on the streets of Panama or in the boxing ring. Well, Ramirez made you dislike Duran as cocky fighter, but showed some compassion for his people. Flesh tones range from pasty to warm. It maneuvers through the basic mentor-pupil machinations, crudely explores a cut-rate romantic tale, and can't find much interest in the business end of boxing, even as some of the most famous names and faces from the sport's illustrious history appear in key and supportive roles throughout. At age 72, legendary trainer Ray Arcel Robert De Niro comes out of retirement to coach world-class Panamanian boxer Roberto Durán Édgar Ramírez.
Durán hesitates to work with Arcel, but the relationship does build and Durán becomes a champion. Jakubowicz covers his bases, but he does so methodically and without much of a sense of imaginative structure or compelling delivery. After scoring knockout after knockout, Duran prepares for a bout against Sugar Ray Leonard, the undefeated lightweight champion. It's not the most impressive image on the market, but Anchor Bay's transfer certainly gets the job done. Recreations of key historical moments are impressively staged and reconstructed it's fun to compare them to the real video highlights; a picture-in-picture match-up would have made for a great supplement for a movie like this. He's winning, and convincingly so, on big stages, but he's raw.
It finds success, generally, though it struggles to forge the sort of fiercely independent identity a movie like this demands to rise through the ranks and stand taller than the plethora of like films that dot the cinematic landscape. The Sugar-Ray fights are certainly a big part of his history, but it shouldn't dominate 50% of every story. Performances, however, are good, and the fight scenes are very well composed and executed. The Panamanian boxer is introduced to longtime and semiretired trainer Ray Arcel Robert De Niro. Black levels hold deep and accurate.
That said, the image generally impresses. Performances are by-and-large excellent, with the primary cast working hard to overcome the movie's rather pedestrian cadence and reliance on cliché. For more about Hands of Stone and the Hands of Stone Blu-ray release, see published by Martin Liebman on November 28, 2016 where this Blu-ray release scored 3. Only problem is I didn't really care for the Roberto Duran character, I am not talking about the acting. DeNiro always adds something to a movie. It was almost secondary, again I don't need the in depth sex scenes.
Music is aggressive, particularly some party beats in chapter ten. The apps are synchronized with your account at Blu-ray. The movie didn't relate enough about the boxing itself. Banding is a much smaller and barely noticeable concern. But everything else in the movie amounts to little of structural or dramatic interest. After Jeremy narrowly escapes with his life, police detective Mike Cella, whose old partner was murdered by Hagan while they pursued him in a different case, sees an opportunity to bring justice. When Jeremy enters a convenience store to buy snacks, he witnesses the clerk and his son being brutally murdered at the hands of Hagan, an Aryan Brotherhood crime boss.
I don't know why filmmakers think that such a big draw, it's a turn off. Édgar Ramirez impresses as Durán, doing his best to explore the troubled soul on both sides of the ring and find the real individual beyond the gloves and trunks. Three hours into the flight Kyle awakens to find that Julia is gone! If you're a seller, Fulfillment by Amazon can help you grow your business. They do their best to find the meat and chew it as best they can. Hands of Stone looks fine on Blu-ray, with a few caveats. The digital video source is a little flat, and edges of the frame occasionally appear smudgy rather than sharp. Ultimately, it's a dramatically detailed but narratively utilitarian movie that satisfies the needs of its material but fails to find a greater resonance beyond its basic set-up, development, and resolution.
He has been since a young age. Certainly, its subject is worthy of inspection. Hands of Stone satisfies its requirements, but it does so without much of a soul. Arcel becomes a mentor to the ferocious fighter, convincing him that winning ultimately comes down to strategy. You can also get an instant mobile notification with our iPhone- or Android app. . I wish they would have focused more on that decade as well as the 80's.