Had never heard of it before until a few weeks ago they mentioned it. Brooks, Penney Finkelman Cox, Polly Platt, Kristi Zea, Susan Zirinsky Screenwriter: James L. Answer: Short answer No but for now it will remain closed. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. William Hurt was already well known, and an Oscar winner, by the time he starred in Broadcast News. His first forays were less than illustrious, writing for such shows as My Mother the Car, but later, he created two groundbreaking shows, Room 222 and The Mary Tyler Moore Show and, from there, it just got better.
It means a great deal to Hunter whether that tear is real or faked. Aaron also is appalled by Tom's lack of experience and knowledge, but accepts his advice when finally getting an opportunity to anchor a newscast himself. Into their lives comes Tom Grunick William Hurt , a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. His list of credentials for the task was more than impressive. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
He began working newsrooms and writing copy for breaking events, including the assassination of President John F. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast including an unbilled turn by Jack Nicholson as the network's smarmy national anchor. After Hunter whispers into Hurt's earpiece to talk him through a crucial live report on a Middle East crisis, he kneels at her feet and says it was like sex, having her voice inside his head. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Here you will find unforgettable moments, scenes and lines from all your favorite films.
Jane's best friend and frequent collaborator, Aaron Altman , is a gifted writer and reporter, ambitious for on-camera exposure and secretly in love with Jane. Jane, le réalisateur, est hanté par le contrôle tout le monde autour d'elle, y compris Tom, un haut-parleur des nouveaux arrivants beau et prétentieux, qui représente Jane tout ce qu'elle et son ami Aaron a toujours détesté. Unfortunately, he lacks Tom's poise and composure in that seat, and his debut as an anchor is a failure. Jane looks at the footage herself and realizes that Tom staged his tears. After he comes to Washington, he quickly gains the attention of the network brass, while the Brooks character goes into eclipse. She was nominated for Best Actress for her portrayal of a producer standing her ground on principle while others turn away.
After they all leave, only Tom is left and he and Jane discuss their career ambitions. Brooks, le film complet Broadcast News long métrage avec original streaming en Anglais, a été produit en États-Unis et est apparu dans les cinémas Français en 1987. There's a certain adrenalin charge in delivering on a commitment at the last moment, in rushing out to be an instant hero or an instant failure. Positive feedback goes to people who deliver. Comedy Drama Romance Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Brooks Won Won William Hurt Nominated Holly Hunter Won James L.
After co-creating yet another highly acclaimed television show, Taxi, and making his first writing entry into the movies with the screenplay for Starting Over 1979 , he finally went behind the camera as director with Terms of Endearment 1983 , a movie that won him three Oscars, as director, writer, and producer, and put him atop the A-List of Hollywood royalty. Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. Hunter is torn between the two men: Brooks, who says he loves her and is the better reporter, and Hurt, who says he wants to learn, and who is sexier. Cependant, si le contenu informatif sur ce site affecte en aucune façon vos droits, veuillez s'il vous plaît. It's one of Hurt's finest performances.
Tom is in an auditorium listening to broadcast news associate producer Jane lecture a thoroughly disinterested audience. At what point does a reporter's dishonesty help to illuminate a story, at what point does it become the story, and at what point does it distort the facts beyond their capacity to inform? He said it well enough that it still stands as one of the best comments on the business and one of the best movies of the eighties. The issues at the center of Broadcast News may not seem as compelling today but the moral center of those issues is still as vital and necessary to understand now as it was then. In an atmosphere like that, theoretical questions get lost. Brooks Nominated William Hurt Nominated Holly Hunter Nominated James L. The newspapers are filled with them, as are ad agencies, brokerages, emergency rooms, show business, sales departments and police and fire stations.
Le film a été présenté dans le cinéma en. Journalism has become a joke. Answer: Yes we will continue this project if we can collect some funds to start it again. The main thrust of the story may be the attraction and conflict between Tom and Jane, but it's Brooks' Aaron that drives the movie's moral center, pushing Jane towards a conclusion he knows will hurt her but one she must confront. Brooks, it does not see relationships as a matter of meeting someone you like and falling in love. The release includes new audio commentary featuring Brooks and Marks, James L.